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・ Hannele Koskinen
・ Hannele Lauri
・ Hannele Pokka
・ Hannele Ruohola-Baker
・ Hannele Tonna
・ Hanneles Himmelfahrt (film)
・ Hanneli Goslar
・ Hanneli Mustaparta
・ Hannelie Coetzee
・ Hanneliese Spitz
・ Hannelius
・ Hannelly Quintero
・ Hannelore
・ Hannelore Anke
・ Hannelore Auer
Hannelore Baron
・ Hannelore Bey
・ Hannelore Bode
・ Hannelore Bollmann
・ Hannelore Brenner
・ Hannelore Burosch
・ Hannelore Elsner
・ Hannelore Göttlich
・ Hannelore Hoger
・ Hannelore Hradez
・ Hannelore Knuts
・ Hannelore Kohl
・ Hannelore Kraft
・ Hannelore Mensch
・ Hannelore Plattner


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Hannelore Baron : ウィキペディア英語版
Hannelore Baron

Hannelore Baron (June 8, 1926 – April 28, 1987) was an artist whose work has become known for the highly personal, book-sized, abstract collages and box constructions that she began exhibiting in the late 1960s. Born in Dillingen/Saar, Germany, she and her family fled persecution in Nazi Germany, illegally crossing the border into Luxembourg in 1939. In 1941 Baron's family sailed from Lisbon to New York and setteled in the Bronx, New York City. By the time she graduated from the Staubenmiller Textile High School in Manhattan, Baron was avidly reading eastern philosophy, making increasingly abstract paintings and probably already experiencing the symptoms of claustrophobia and depression that would lead to a series of nervous breakdowns throughout her life. In the late 1950s Baron combined a variety of techniques and began making her first collages. Occupied with raising two children (daughter Julie and son Mark) and beset by psychological problems, Hannelore nevertheless exhibited her work and in 1969, the year of her one-person exhibition at Ulster County Community College, she began to make the box constructions that would become her signature. In the early 1970s, Baron established a studio and devoted her time and energy completely to her artwork until her death in 1987. Hannelore Baron was self-taught.〔http://www.sites.si.edu/exhibitions/exhibits/archived_exhibitions/hannelore_baron.htm〕
Although her compositions are completely abstract, she considered them to be both personal and political statements. In her own words,
''Everything I’ve done is a statement on the, as they say, human condition...the way other people march to Washington, or set themselves on fire, or write protest letters, or go to assassinate someone. Well, I’ve had all the same feelings that these people had about various things, and my way out, because of my inability to do anything else for various reasons, has been to make the protest through my artwork...''

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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